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Collectively, David Guetta and Sia have been two of the important thing architects of the bridge between dance music and pop music.

The French producer and the Australian singer first struck sonic gold almost a decade in the past, with their monumental and era-defining smash “Titanium,” which fused Guetta’s digital manufacturing with Sia’s indestructible pop vocals. Though Guetta initially provided the tune to Katy Perry, this previous July Perry revealed that she turned it down as a result of the vocalist on the demo, Sia, was so rattling good.

The world agreed, with the monitor turning into Sia’s highest charting tune on the time and “Titanium” spending 13 weeks on the Sizzling 100, the place it peaked at No. 7. The success of the tune additionally opened the floodgates for a barrage of Guetta/Sia collabs, with the 2 artists working collectively on eight further tracks and remixes since 2011.

The most recent of these teamups is “Let’s Love.” Out final week, the tune is a synthy, deeply ’80s-inspired homage to simply loving the hell out of your self and your nearest and dearest within the hopes of making a nicer existence and extra tolerable world. Created fully on-line by Guetta and Sia, the tune was made in tribute to the key cultural challenges that residents of Earth are at the moment dealing with.

In celebration of the tune right here Guetta — in his personal phrases — shares the behind the scenes tales of his many Sia collabs.

“Titanium” (2011)

Humorous factor is that the concept was to place one other artist on the report, as a result of Sia did not wish to be within the highlight any extra. However what she delivered was simply so wonderful, I begged her to let me hold her voice. ​“Titanium”​ is now the biggest-selling report of my profession, and it actually modified my life — and Sia’s life too.

“Wild One Two” (2012)

Similtaneously “Titanium,” Sia featured on “Wild Ones” by Flo Rida. Nicky Romero and I created a rapper-less remix of the monitor for the re-release of the Nothing However The Beat deluxe album.

“She Wolf (Falling To Items)” (2012)

Lower than a 12 months after releasing “Titanium” and “Wild One Two,” we teamed up once more and launched “She Wolf.”  Enjoyable truth is that “She Wolf” was created beneath related circumstances as “Titanium.”  Sia initially wrote the lyrics for an additional artist, however I personally assume Sia’s voice is simply magic, and it wouldn’t be the identical tune with another person, so we agreed on releasing it together with her voice.

“The Whisperer” (2014)

“The Whisperer” featured on my 2014 album, Hear. Enjoyable truth is that Sia is the one artist to have tamed me into producing an electro-free ballad.

“Bang My Head” (2015)

”Bang My Head” is the primary of eight bonus tracks from my album Hear Once more, which options all 14 unique album tracks from Hear, in addition to eight bonus tracks. I joined forces as soon as once more with Sia, and with Fetty Wap for the primary time. I believe Sia’s heartfelt vocal is the p​erfect distinction to Fetty Wap’s grittier tones, which makes the tune very distinctive.

“Helium” (2018)

Sia initially recorded the stirring piano ballad for the Fifty Shades Darker movie in 2018 and we gave it a Guetta (and Afrojack) remedy, including some electro beats to it.

“Flames” (2018)

“Flames” was our seventh collaboration and the tune turned our third High 10 collectively in Could of 2018. I used to be thrilled that Sia agreed to reunite with me on “Flames,” contemplating how a lot of a famous person she’s turn into.

“Gentle Headed” (2018)

“Gentle Headed” was taken from my seventh album, titled 7. This tune is extra underground home, so I launched it beneath the title “Jack Again.”

“Let’s Love” (2020)

“Let’s Love” was made 100 p.c throughout confinement. We labored on Zoom along with Sia. Actually, I felt just like the world wanted one thing to make the individuals to really feel blissful. There’s been a lot miserable music currently. And on prime of that, with every little thing that occurred, I actually wished to encourage the world and only a make a really feel good tune. So, I referred to as Sia, and we wrote this tune on-line. It was first a ballad after which it turned this unimaginable ’80s, loopy report. And I’m tremendous, tremendous blissful about it. I hope you find it irresistible as a lot as we do.

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