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Filter bubbles are actual. Significantly within the social media period, we’re all trapped inside a likeminded suggestions loop of our personal making. I feel all of us acknowledge this on an intuitive degree, however generally a reminder that you just inhabit a bespoke cultural silo will come alongside and smack you within the face. Not too long ago I had such an epiphany upon studying in regards to the pervasive longterm success of Shinedown, a band whose music I’ve by no means as soon as listened to regardless of making my dwelling writing about music. Or a minimum of, I’d by no means heard a Shinedown tune earlier than sitting down to jot down this text. Have I heard hella Shinedown songs now? [Insert the gnarly pentatonic guitar riff from Collective Soul’s “Shine”] Yeah.

Shinedown hail from Jacksonville, Florida, house of the Jaguars, the 2020 Republican Nationwide Conference, Lynyrd Skynyrd, and The Good Place’s Jason Mendoza. They’ve been going robust since 2001, when Atlantic Data dropped lead singer Brent Smith’s band Dreve however let Smith hold his report deal and kind a brand new band. (Sucks to be Dreve!) Smith moved from Knoxville to Jacksonville, recruited new bandmates, and by 2003 Shinedown had launched their debut album Depart A Whisper. They got here out of the gate with “Fly From The Inside,” a dramatic post-grunge/nu-metal hybrid that solid Smith’s voice — a robust instrument that may pull off hearty bellows and searing howls like late Alice In Chains singer Layne Staley — in opposition to gargantuan energy chords and moody atmospherics. It was a success, the primary of many.

Quick ahead 17 years: The group simply notched its 27th high 10 single on Billboard’s Mainstream Rock chart, breaking a tie with Godsmack and putting them only one hit shy of fellow northern Florida rocker Tom Petty’s all-time report. (Florida: America’s rock capital?) Verily, no Shinedown single has ever failed to succeed in the highest 5 of this explicit chart, a airplane their present hit “Atlas Falls” (#eight and rising) additionally appears destined to succeed in. This newest tune is extra inspirational in tone, a coronavirus-era energy ballad with some digital fringe and a generic message of perseverance, however the guts of the group’s music stay unchanged in any case these years. Their components is decidedly not broke, and they’re positively not fixing it.

Not that Shinedown have come this far with out adjusting their aesthetic in any respect. Through the years they’ve scored hits by tweaking the particulars round their butt-rock fundamentals to evoke all kinds of hard-rock hit-makers. LP2 singles “Heroes” and “Save Me” channeled Soundgarden and Staind respectively. Newer choices “State Of My Head” and “Satan” had been cyborg jock jams from the Think about Dragons phylum. “If You Solely Knew” was like Tonic’s “If You May Solely See” backed by a thwacking Linkin Park boom-bap beat, whereas “The Crow & The Butterfly” was a far much less campy nod to the identical glammy influences that impressed Spacehog’s “In The Meantime.” They’ve integrated each “Can I get a witness!” and “Throw your palms within the air!” into burly riff-rockers. The bombastic “Bully” is like “We’re Not Gonna Take It” crossed with Loudmouth’s “Fly,” a misplaced rock radio relic from 1999; understanding about it proves I solely simply barely stopped listening to rock radio earlier than Shinedown popped off.

For a second there in 2009 you might hear Shinedown on High 40 radio as effectively. Their greatest hit ever was “Second Likelihood,” an impassioned string-laden anthem that pushed their sound about as far into the pop realm as it’ll go. Constructed across the phrase “Generally goodbye is a second probability,” it’s form of just like the Prepare model of a Gas tune? An skilled triangulation of Nickelback and Maroon 5? No matter recipe they used to cook dinner it up, shit was potent: “Second Likelihood” went all the best way to #7 on the Sizzling 100, a feat few rock bands in latest reminiscence have pulled off. (As a result of it cracked the highest 10, I requested my colleague Tom Breihan of The Quantity Ones fame to assign it a quantity score; he bumped it up from a 5 to a 6 on the power of the bridge, which strikes me as extraordinarily beneficiant.)

How might a band be so dominant inside one milieu and never make a peep inside my very own private sphere? A few of it has to do with goal advertising. Shinedown’s music appears designed for a specific hyper-masculine military-friendly red-state demographic that, regardless of being a suburban Christian dad from Ohio, actually ain’t me. Certainly one of their earliest hits was a reverent acoustic cowl of “Easy Man” by their Jacksonville forebears Skynyrd. “Sound Of Insanity,” with its snarling Southern stomp and threats of “a shotgun blast, a kick within the ass,” was the musical embodiment of a Don’t Tread On Me flag. You possibly can mistake “Get Up” for the type of modern Christian rock band whose units take detours into worship music. They’d a tune referred to as “Diamond Eyes (Increase-Lay Increase-Lay Increase)” on the soundtrack to Sly Stallone’s Avengers-style aging-action-star The Expendables. And whereas we Shinedown newcomers would possibly mistake “45” for a tribute to President Donald J. Trump, it’s really a gradual jam from method again in ’03 that refers to “staring down the barrel of a 45.” A minimum of the gun reference suits the profile.

If Shinedown’s music isn’t aimed toward me, I even have been actively shielding myself from this type of factor for about so long as they’ve been a band. As I mentioned whereas explaining how I found Badly Drawn Boy at a P.O.D. live performance, my style veered sharply away from mainstream rock in my highschool years, simply earlier than the nu-metal brigade led by Korn and Limp Bizkit gave strategy to a post-Creed barrage from the likes of Disturbed, Breaking Benjamin, and yr bois Shinedown themselves. This was music for farm boys who had been born to rassle, whereas I used to be the child who broke my collarbone by getting pinned too laborious on wrestling day in center college gymnasium class. I ran like hell away from that American-patriot-who-dresses-like-a-meth-dealer-in-a-Broadway-musical scene towards music that higher jibed with my nerdy and introverted character.

Perhaps this might have occurred had I come of age in any period however was definitely exacerbated by the dour flip fashionable rock took after 9/11. I can acknowledge the musicality and dynamics that energy this music — any artist that may endure as a radio mainstay for greater than a decade clearly has some type of pop instincts — and I’m self-aware sufficient to acknowledge my very own vulnerability to different musical traits and formulation extra suited to my style. I congratulate Shinedown on their longstanding success and need them effectively of their future endeavors. Then again, these things suuuuucks soooooo baaaaad, doesn’t it? How can there be so many individuals whose intestine response to this band is to smash that play button another time? It makes me need to perish, or puke, or a minimum of plug my ears. As somebody who needs to know as a lot as potential a couple of broad spectrum of widespread music, I’m glad to have gained a Shinedown schooling. However I feel I’ll crawl again into my filter bubble now.


Lil Child stays an unstoppable power on the Billboard charts. For a fourth nonconsecutive week and third in a row, the Atlanta rapper’s February launch My Flip sits atop the Billboard 200. Solely the Weeknd’s After Hours has spent that many frames at #1 this 12 months. Per Billboard, My Flip tallied 70,000 equal album models, nearly all of it through streaming. In one other period, 51,000 in gross sales would have made Bob Dylan’s Tough And Rowdy Methods this week’s champion, however Dylan as an alternative debuts at #2 with 53,000 models whole — nonetheless good for his greatest chart placement since debuting at #1 with 2009’s Collectively By Life.

Bolstered by the discharge of its deluxe version, A Boogie Wit Da Hoodie’s Artist 2.0 shoots again as much as #three this week. It’s adopted by releases from DaBaby, Submit Malone, Woman Gaga, and Drake. Teyana Taylor’s The Album debuts at #eight with 32,000 models, her first top-10 album. Lil Uzi Vert and Polo G spherical out the highest 10.

Over on the Sizzling 100, DaBaby and Roddy Ricch’s “Rockstar” returns to #1 for a 3rd nonconsecutive week. It was briefly unseated final week by the chart-topping debut of 6ix9ine and Nicki Minaj’s “Trollz,” which plummets to #34 in its second week — the largest dropoff ever after a #1 debut in accordance with @chartdata. At #2 and #three respectively are former leaders “Savage” by Megan Thee Stallion and Beyoncé and “Blinding Lights” by the Weeknd. SAINt JHN’s “Roses” reaches a brand new #four peak, adopted by Justin Bieber and Quavo’s “Intentions” at #5.

Following Doja Cat’s “Say So” at #6 and Lil Child’s “The Larger Image” at #7 comes a brand new #eight peak for Jack Harlow’s “What’s Poppin,” making it Harlow’s first top-10 hit. Additionally crashing the highest 10 for the primary time is Lil Mosey’s “Blueberry Faygo,” which climbs to a brand new #9 this week. Rounding issues out at #10 is Submit Malone’s deathless “Circles,” which extends its report to 39 whole weeks within the high 10.


Doja Cat – “Unisex”
It’s unhappy that we’ll by no means know if this tune flops as a result of it’s unhealthy or as a result of Doja was within the racial chat rooms exhibiting toes.

Charlie Puth – “Girlfriend”
Charlie: Drop the album! Everybody else: Take pleasure in our boy’s peerless effervescence.

Blackpink – “How You Like That”
I really like how this towering Voltron of trap-rave-era rap and EDM now qualifies as woman group music.

Sam I – “Don’t Give Up” (Feat. Sia, Busta Rhymes, & Vic Mensa)
Then again, this cyborg pop-rap makes the long run really feel extraordinarily disappointing.

Trevor Daniel & Selena Gomez – “Previous Life”
Anyway right here’s “Wonderwall.”


  • One other new 6ix9ine tune is reportedly coming Friday. [Instagram]
  • Miley Cyrus revealed she is six months sober. [Variety]
  • Kelsea Ballerini referred to as out Chase Rice for taking part in to a packed viewers with out masks or social distancing. [Twitter]
  • Woman Gaga introduced 2021 dates for her rescheduled Chromatica Stadium Tour. [Twitter]
  • Ariana Grande had a Midsommar-themed birthday celebration. [Instagram]
  • For the International Aim: Unite For Our Future profit, Coldplay devoted “Paradise” to Elijah McClain. [YouTube]
  • A Stonewall Day livestream profit featured messages from Taylor Swift, Demi Lovato, and Katy Perry, and performances from Kesha and Hayley Kiyoko. [Twitter]
  • Halsey introduced a poetry e-book, I Would Depart Me If I May, out 11/10. [Halsey]
  • Alicia Keys hosted a Nickelodeon particular Youngsters, Race And Unity: A Nick Information Particular. [Variety]
  • Lil Yachty totalled his Ferrari by spinning out on an Atlanta freeway. [Complex]
  • Doja Cat launched an animated video for her Gucci Mane collab “Like That.” [YouTube]
  • A brand new Demi Lovato docuseries is coming to YouTube. [Variety]
  • Blackpink did their new single “How You Like That” for The Tonight Present: At Dwelling Version. [YouTube]
  • G-Eazy coated David Bowie’s “Lazarus.” [YouTube]


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